The Drumbeat Forever After

22: The Uruk period in Susiana, 3900-3200 BCE (Enmerkar vs Ensuhkeshdanna)

Guests: Kirra, Jojo
First, Ensuhkeshdanna, the haughty lord of faraway Aratta, demands the submission of our hero Enmerkar, the wise king of noble Unug. When Enmerkar refuses to so debase himself, the lord of Aratta plots a campaign of economic sabotage by means of dark sorcery.
We finish up our tour of the Uruk world in Susiana, in southwestern Iran, picking up right after the end of the Susa 1 period (in episode 18). A population explosion accompanies the introduction of Uruk-style material culture (that is, similar to the culture of southern Mesopotamia). We tour the eternal city of Susa, the small rural village of Shafarabad, and the revitalized town of Chogha Mish. What can we know about Susiana's relationship to the Mesopotamian alluvium during this period?
Finally: wizard fights are the continuation of diplomacy by other means!
Questions? Feedback? Email us at drumbeatforeverafter@gmail.com.
Follow us on Twitter and Instagram @drumbeatforever
Works cited

23: Unug (Uruk) and Late Uruk Sumer, 3500-3200 BCE (Hymns to Inanna)

Guest: Kirra
First, we sing the praises of Inanna, patron goddess of the city of Unug, whose home temple complex was the epicenter of the Uruk-period world system. Which god compares with her?
Then, we finally visit the namesake of the Uruk period, the city of Unug (or Uruk) itself. We continue our look at urbanization in Sumer with the Late Uruk period, as local networks of small villages arrayed around medium-sized towns give way to many tiny villages and one enormous city, that being Unug itself.
Then, we walk through the archaeology of Unug between the 3400s and 3200s (or so) BCE, including the largest and most impressive buildings yet built in Sumer, all within walking distance of each other at the center of the new metropolis.
Finally, we read some of the milder hymns celebrating the marriage of Inanna and her boytoy Dumuzi. He is well-watered lettuce!
Questions? Feedback? Email us at drumbeatforeverafter@gmail.com.
Follow us on Twitter and Instagram @drumbeatforever
Works cited

24: The Late Uruk industrial revolution in Unug, 3500-3200 BCE (Hoe vs Plow)

Guest: Liyan
First, another debate poem! Hoe, child of the poor, bereft even of a loincloth, starts a quarrel with the Plow. A surprising amount of Sumerian literature boils down to the logistical complexity of various tasks facing early state institutions, not least among them the upkeep of various agricultural tools.
Then, we look at the Late Uruk state from the perspective of its labor force. To paraphrase Bertolt Brecht, somebody had to haul up all those lumps of rock, and it certainly wasn’t the priest-kings depicted in visual art. We also look at an industrial revolution of sorts, as unskilled workers started to mass-produce undecorated (beveled-rim) bowls to fulfill the growing needs of the elite households at the center of the state.
Finally, Enlil (god of kingship, king of the gods) intervenes in the debate between Hoe and Plow. Praise be to Nisaba!
Questions? Feedback? Email us at drumbeatforeverafter@gmail.com.
Follow us on Twitter and Instagram @drumbeatforever
Works cited

25: The invention of writing in Uruk IVA Unug, ca 3300-3200 BCE (Babel, Hymn to Nisaba)

Guest: Kelten
First, a familiar story that just happens to involve monumental construction projects, clay bricks, and universal language. Behold!
Then, we take a look at Unug around the 3200s BCE, when the Uruk expansion came to a close and the city center underwent another monumental renovation. Was this city ruled by the so-called “priest-king” depicted conducting rituals, leading troops in battle, and punishing prisoners of war?
Then, at long last, the bureaucrats in the E-anna temple complex finally get around to inventing writing! We take a stroll through the long prehistory of administrative record-keeping, the means by which young scribes learned to write, and the fundamental shift in world history precipitated by the adoption of cuneiform.
Finally, we close with a hymn to Nisaba, goddess of writing (and cereal agriculture, of course)— good woman, chief scribe of An, record-keeper of Enlil, wise sage of the gods!
Questions? Feedback? Email us at drumbeatforeverafter@gmail.com.
Follow us on Twitter and Instagram @drumbeatforever
Works cited

26: Uruk III Unug, 3200-3000 BCE (Lugalbanda, part 1)

Guest: Kelten
First, the fragile peace has collapsed, and the virtuous king Enmerkar leads the army of fair Unug in an invasion of the faraway mountain kingdom of Aratta. However, en route to otherwise certain victory, the king's mightiest warrior, Lugalbanda, falls sick! His fellow soldiers, unable to help him and fearing the worst, lay him in a cave in the mountain wilderness as if it were his tomb.
Then: the Uruk period is over, long live Unug! We cover the Uruk III period at Unug, elsewhere known as the Jemdet Nasr period, around the turn of the millennium. The same temple administration continued producing the same kinds of bureaucratic records, with some innovations to the writing system.
We look at evidence of what appear to be a tradition of ritual offerings to Inanna sent by a league of other cities from the alluvial plain, from as far north as Jemdet Nasr and Tell Uqair. Also, a text which may be a lexical list or possibly the first work of literature known from human history!
Then, Lugalbanda prays to a series of gods, to forestall the funeral feast his friends have already arranged for him. Will he ever leave the mountain cave?
Questions? Feedback? Email us at drumbeatforeverafter@gmail.com.
Follow us on Twitter and Instagram @drumbeatforever
Works cited

27: The Jemdet Nasr period in the land of Akkad, 3200-3000 BCE (Lugalbanda, part 2)

Guest: Kelten
First, we continue the story of Lugalbanda as he leaves his mountain cave. After he submits to the country of oppression, Zangara, the god of dreams, asks him for a space knife and goats of varying quality.
Then, we head up to central Mesopotamia to visit the land of Akkad during the Jemdet Nasr period, starting with the eponymous town of Jemdet Nasr, which produced over 200 tablets. We also visit the apparent temple to Inanna at Tell Uqair and the famous Blau monuments, which appear to mention the ancient name of Tell Uqair. Then we finish up at Kish, a city founded during this period which would rule much of the Mesopotamian alluvium by the mid-2000s BCE.
Finally, we begin the story of Lugalbanda and Anzu. Still lost in the distant mountains, Lugalbanda sets out to ask Anzu (the mythical bird guarding the mountains at the edge of the world) for directions. Stay tuned for part three!
Questions? Feedback? Email us at drumbeatforeverafter@gmail.com.
Follow us on Twitter and Instagram @drumbeatforever
Works cited

28: The Proto-Elamite period in Susa, 3200-2800 BCE (Lugalbanda, part 3)

Guest: Kelten
First: Anzu, the mythical bird guarding the mountains at the edge of the world, comes home to find that Lugalbanda has treated his beloved chick with the utmost generosity. In return, he makes several attempts to grant Lugalbanda his destiny.
Another fully new (as of Nov 2024) episode, which I’ve been waiting to post since summer 2022. This one is about the Proto-Elamite period, Iran’s answer to the Uruk expansion. Scribes at Susa (among other centers) created their own writing system and borrowed Unug’s numerical system to administer literate outposts spanning much of western and southern Iran, likely to facilitate a trade network similar to the one centered on Susa during the Uruk period.
Then, Lugalbanda rejoins the soldiers who left him for dead in a mountain cave! Can he help Enmerkar win Unug's war against Aratta?
Questions? Feedback? Email us at drumbeatforeverafter@gmail.com.
Follow us on Twitter and Instagram @drumbeatforever
Works cited

29: Wool & weaving in Mesopotamia, 3500-3000 BCE (Sheep vs Grain)

Guests: Jojo, Sami
First, at the dawn of cosmic time, Sheep and Grain descend from the abode of the gods, get drunk, and start a fight.
Then, after a quick historical introduction, we take a thorough look at the Uruk-period wool industry, from gathering sheep in one place for shearing to spinning thread to weaving (on various types of loom) to dyeing, fulling, sewing, and so on.
Then, we look at some other fibers: flax, being older and more firmly entrenched than wool, remained a valuable fabric well into historical times; nettles, on the other hand, had a slightly shorter tenure as a botanical source of textile fibers.
Then, Sheep and Grain take their dispute to the gods, who declare the obvious winner. Praise be to father Enki!
Questions? Feedback? Email us at drumbeatforeverafter@gmail.com.
Follow us on Twitter and Instagram @drumbeatforever
Works cited

30: Late Chalcolithic metallurgy & the dawn of the Bronze Age, 4500-3000 BCE (Copper vs Silver)

Guest: Sheila
First, strong Copper casts his legitimate insults, insults of a miserable dog, against Silver. In my delusional hubris, I've arbitrarily pieced this particular debate text together from disparate fragments and granted it unnatural life beyond death via galvanic abominations beyond the comprehension of its original creator. As usual, I'm using the ETCSL translation.
Then, we track the development of copper metallurgy in the Near East, stretching from the early Neolithic to the Uruk and beyond. Sheila, actual chemistry expert, helps us understand the reactions occurring inside these Chalcolithic crucibles.
Then, a look at specific metals: copper, silver, gold, lead, and iron— all available to smiths at the very beginning of the so-called Bronze Age.
Speaking of which, why do we call it that anyway? Now that this podcast about the Bronze Age has finally reached the beginning of the story, it's worth explaining what exactly the familiar Stone Age / Bronze Age / Iron Age trichotomy means for our understanding of world history. 
Then, we learn about arsenical bronze, the first intentional copper alloy to spread across the Near East. This, predictably, segues into an examination of the various health effects of these various metals on the people working with them. I learned something new about some familiar gods, and now you will too!
Finally, the conclusion (such as it is) to Copper's debate with Silver. Silver puts up a valiant defense, given that the constraints of the genre preordained his failure. Father Enlil be praised!
Questions? Feedback? Email us at drumbeatforeverafter@gmail.com.
Follow us on Twitter and Instagram @drumbeatforever
Works cited

31: Introduction to Early Dynastic Sumer (& the historical Gilgamesh), 2900-2350 BCE (Gilgamesh vs Huwawa, version B)

Guest: Lily
First, we finally meet Gilgamesh! Cherished in Unug, heroic bearer of a scepter of wide-ranging power, noble glory of the gods, angry bull standing ready for a fight, etc. We read one of two Sumerian poems dealing with Gilgamesh's conquest of the remote Mountains of Cedar-felling and his fight against the mighty Ḫuwawa, the demigod who rules the mountains at the edge of the world!
Then: an introduction to the Early Dynastic period (2900-late 2300s BCE) in Sumer. We take a first look at the geography of the 3rd-millennium Mesopotamian alluvium; the nature of temples, palaces, and city-states; the emergence of silver as money; the broader world surrounding Sumer; and language and identity in Mesopotamia.
Then, a look at the Sumerian King List, a writing exercise (and an ideological tapestry of various folklore traditions) which often gets mistaken for an objective historical document. What can it tell us about the Early Dynastic period?
Then, a look at our evidence for a historical King Gilgamesh of archaic Unug (2900-2600 BCE?). What does a king have to do in the 28th century BCE to be worshipped as a god by the 26th century?
Then, we read the rest of this version of the Ḫuwawa story. The half-divine Gilgamesh reifies his power over both humans & the natural world by breaking an oath between gentlemen, on the one hand, and domesticating a demigod and exploiting his homeland for raw resources, on the other. Warrior, you lied!
Questions? Feedback? Email us at drumbeatforeverafter@gmail.com.
Follow us on Twitter and Instagram @drumbeatforever
Works cited